Friday, February 13, 2009
How To Hide Cold Sore On Lip
A great artist of the Vaudeville: WCField
WC Field or Dukenfield William Claude, was a juggler, an actor and comedian.
In his long career in vaudeville and later work in theater, television and in film. His is a very special figure for her to do much out of time:
bizarre and cynical roles played always awkward. He was a comedian who today could be described as the opposite of "potically correct". His addition to alcohol made it a difficult personage from the scene outside. As WC Fields hated beloved interpreter is ultra modern, protester always ready to speak ill of Christmas, children, old women, and any hypocritical social convention. He was born in 1880 and died on Christmas Eve of 1946.
WC Field or Dukenfield William Claude, was a juggler, an actor and comedian.
In his long career in vaudeville and later work in theater, television and in film. His is a very special figure for her to do much out of time:
bizarre and cynical roles played always awkward. He was a comedian who today could be described as the opposite of "potically correct". His addition to alcohol made it a difficult personage from the scene outside. As WC Fields hated beloved interpreter is ultra modern, protester always ready to speak ill of Christmas, children, old women, and any hypocritical social convention. He was born in 1880 and died on Christmas Eve of 1946.
Thursday, February 12, 2009
How Long Will It Take Until Anorexia Shows
The Vaudeville: A variety of overseas.
.
He arrived in the States, the Vaudeville, music show light and dance songs from France of 700 in the new world is something like the European Varietè. In principle, this show is composed of various numbers of Interest: acrobats, musicians (often family orchestras), comedians, jugglers, magicians, singers and dancers.
In the mix of cultures every American artist uses the originality of its cultural connotations and therefore expression. In form the show is nourished by the tradition of English music-hall but in essence it becomes a cauldron of dancing, numbers, formulas of short activities are inspired by the traditions of each country of origin of the artists. It is becoming commonplace in African dances accompanied by new tunes "swingheggianti" or stunts mixed with tango operetta songs in the syncopated rhythms ... In the two decades between 1850-1870 this show, cousin of the variety, knows a wide audience and tremendous growth. Was originally intended for a male audience for erotic and provocative content of the shows but soon the tone of the Vaudeville rises and reaches the highest levels of quality. He knows the luxury (as in the Ziegfeld Follies on Broadway) and attracts the attention of the film which reproduces copies, it includes original parts in fictional stories that are just excuses to justify its reproduction.
thanks to the lighting of actors and opera entrepreneurs such as Tony Pastor who renewed the genre by presenting a variety show in 1881 at the Fourteenth Street Theater in New York City Vaudeville is designed as a show suitable for all audiences.
Soon all U.S. cities, as dazzling fashion, we equip small theaters (equivalent of our cafe-chantant) set up a circuit for the real show "light." Generations of artists struggling for form and enter the Vaudeville circuit that were at the Palace Theater in New York; soubrette had become the dream of every girl, able to replicate at the Palace became the dream of all the soubrette.
The Golden Age, the "Golden Age", it has since 1905 until the birth of talking pictures and the boom of radio, and the fall of the stock market on Wall Street. In that time, the Vaudeville representation is the form of public entertainment more widespread. The artists traveled from town to another, performing for a week in the theater of each center. Within the city
vaudeville was really the only popular entertainment in which one finds throughout the city, nationally was one of the few things that unites Americans.
In general there is a peak of popularity in 1928, when the circuit of "little theaters"'incredibile had the figure of two million viewers per day.
This appalling figure of spectators, who has introduce the flavor of the era of large numbers of today's media, although referring to a public split, means that this phenomenon will grow around an enormous commercial interest. The circuit was, in fact, quickly monopolized by skilled entrepreneurs who set up a large business, perhaps the first show-business, the sale of shows, artists, orchestras and opera whole. The artistic fervor
supports the creation of new music (swing) and dance in which young people of color eccelgono allowing them to find success in show business and in the "ballroom" creating the conditions for integration in the States that unfortunately still a lot of tarry before arriving in social life.
Among the stars vaudeville include: singers Nora Bayes and Eva Tanguay, comedians Eddie Cantor, WC Fields and the Marx Brothers, the duo Joseph Weber and Lew Fields, the Keaton. The quality of performances was very high: among others, were cast as cabaret stars the French singer Yvette Guilbert and the actress Sarah Bernhardt.
The advent of radio, film and television in America, just as in Europe, led to a rapid decline of its kind since the thirties of the twentieth century.
("... Its decline (vaudeville), when all the theaters (including the giant" Radio City Music Hall in New York, built for vaudeville in 1932) were transformed into a cinema, American society took to something distinctive. "Piero Scaruffi)
.
He arrived in the States, the Vaudeville, music show light and dance songs from France of 700 in the new world is something like the European Varietè. In principle, this show is composed of various numbers of Interest: acrobats, musicians (often family orchestras), comedians, jugglers, magicians, singers and dancers.
In the mix of cultures every American artist uses the originality of its cultural connotations and therefore expression. In form the show is nourished by the tradition of English music-hall but in essence it becomes a cauldron of dancing, numbers, formulas of short activities are inspired by the traditions of each country of origin of the artists. It is becoming commonplace in African dances accompanied by new tunes "swingheggianti" or stunts mixed with tango operetta songs in the syncopated rhythms ... In the two decades between 1850-1870 this show, cousin of the variety, knows a wide audience and tremendous growth. Was originally intended for a male audience for erotic and provocative content of the shows but soon the tone of the Vaudeville rises and reaches the highest levels of quality. He knows the luxury (as in the Ziegfeld Follies on Broadway) and attracts the attention of the film which reproduces copies, it includes original parts in fictional stories that are just excuses to justify its reproduction.
thanks to the lighting of actors and opera entrepreneurs such as Tony Pastor who renewed the genre by presenting a variety show in 1881 at the Fourteenth Street Theater in New York City Vaudeville is designed as a show suitable for all audiences.
Soon all U.S. cities, as dazzling fashion, we equip small theaters (equivalent of our cafe-chantant) set up a circuit for the real show "light." Generations of artists struggling for form and enter the Vaudeville circuit that were at the Palace Theater in New York; soubrette had become the dream of every girl, able to replicate at the Palace became the dream of all the soubrette.
The Golden Age, the "Golden Age", it has since 1905 until the birth of talking pictures and the boom of radio, and the fall of the stock market on Wall Street. In that time, the Vaudeville representation is the form of public entertainment more widespread. The artists traveled from town to another, performing for a week in the theater of each center. Within the city
vaudeville was really the only popular entertainment in which one finds throughout the city, nationally was one of the few things that unites Americans.
In general there is a peak of popularity in 1928, when the circuit of "little theaters"'incredibile had the figure of two million viewers per day.
This appalling figure of spectators, who has introduce the flavor of the era of large numbers of today's media, although referring to a public split, means that this phenomenon will grow around an enormous commercial interest. The circuit was, in fact, quickly monopolized by skilled entrepreneurs who set up a large business, perhaps the first show-business, the sale of shows, artists, orchestras and opera whole. The artistic fervor
supports the creation of new music (swing) and dance in which young people of color eccelgono allowing them to find success in show business and in the "ballroom" creating the conditions for integration in the States that unfortunately still a lot of tarry before arriving in social life.
Among the stars vaudeville include: singers Nora Bayes and Eva Tanguay, comedians Eddie Cantor, WC Fields and the Marx Brothers, the duo Joseph Weber and Lew Fields, the Keaton. The quality of performances was very high: among others, were cast as cabaret stars the French singer Yvette Guilbert and the actress Sarah Bernhardt.
The advent of radio, film and television in America, just as in Europe, led to a rapid decline of its kind since the thirties of the twentieth century.
("... Its decline (vaudeville), when all the theaters (including the giant" Radio City Music Hall in New York, built for vaudeville in 1932) were transformed into a cinema, American society took to something distinctive. "Piero Scaruffi)
Tuesday, February 10, 2009
2 Red 2 Black And Green Wires
Macario : uomolunare gesture by his own loose and pierced the movement of feet, knees and eyes, beautiful dancing, alone among all legs small monster relic, perfect comic caricature unblemished, young-old, timeless comedy without. Sacro Uncut. Tuft and / a comma.
Transfer Pension Fund To Australia From Ireland
"The King of the magazine"
Actor for a living in the company of "scavalcamontagne, vaudeville artist was discovered, the genial giant-soubrette Bluette Isa, to become the most famous actor of the Italian magazine. Was himself a talent scout during his varied career, including the mythological Wanda Osiris. Macario with his participation in more than 50 plays and musicals, and with over 30 films, his records and comic books that portray him as such was fully deserves the title "King of the magazine." His tuft
lovelock, received Petrolini imposition on his oval face is an icon of an actor's grace, now lost. Acrobat of the word, with its emphasis from Piedmont, with his body dissolved and an expert on movement at the side of Toto gives us a lesson in comedy unsurpassed measured and uplifting. In the dramatic role of Mario Soldati in 1957, reveals the sensitivity of the great actor, but is using his job as an actor of varieties in the magazine that generally exceed Macario go down in history as an innovator: his journals will be remembered for the quality of music, the choreography sumptuous, dreamlike and surreal comedy of his caricatures.
fairs in which she starred from hunger and calling for large and lavish shows with records of receipts Macario always played its role as a "magic man out of time." He embodied the mask of innocence and delicate opposed to his talking Braided and twisted: with large eyes wide open, with his tuft on his forehead and his attitude seemed to praise the moon poem is in every common man. He was born in 1902 and the debut occurred at age 18, never stops, skipping rope from the theater, film, television and theater in an escalation of success until his death found him in 1980 at the age of 77.
Internet is full of information about M. but it is always worth a read if you write libro.Sopratutto is his son Mauro poet and writer:
"Macario, a comedian fell from the moon" by Mauro Macario 
Actor for a living in the company of "scavalcamontagne, vaudeville artist was discovered, the genial giant-soubrette Bluette Isa, to become the most famous actor of the Italian magazine. Was himself a talent scout during his varied career, including the mythological Wanda Osiris. Macario with his participation in more than 50 plays and musicals, and with over 30 films, his records and comic books that portray him as such was fully deserves the title "King of the magazine." His tuft
lovelock, received Petrolini imposition on his oval face is an icon of an actor's grace, now lost. Acrobat of the word, with its emphasis from Piedmont, with his body dissolved and an expert on movement at the side of Toto gives us a lesson in comedy unsurpassed measured and uplifting. In the dramatic role of Mario Soldati in 1957, reveals the sensitivity of the great actor, but is using his job as an actor of varieties in the magazine that generally exceed Macario go down in history as an innovator: his journals will be remembered for the quality of music, the choreography sumptuous, dreamlike and surreal comedy of his caricatures.
fairs in which she starred from hunger and calling for large and lavish shows with records of receipts Macario always played its role as a "magic man out of time." He embodied the mask of innocence and delicate opposed to his talking Braided and twisted: with large eyes wide open, with his tuft on his forehead and his attitude seemed to praise the moon poem is in every common man. He was born in 1902 and the debut occurred at age 18, never stops, skipping rope from the theater, film, television and theater in an escalation of success until his death found him in 1980 at the age of 77.
Internet is full of information about M. but it is always worth a read if you write libro.Sopratutto is his son Mauro poet and writer:
"Macario, a comedian fell from the moon" by Mauro Macario
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