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The Good Old Days



From 1953 to 1983, the Leeds City Varieties is a study in which there is The Good Old Days is a popular entertainment television program inspired by the world of Variety.
It was filmed in the famous theater of varieties of Leeds in his golden years had housed the stage characters such as Chaplin, Houdini and Marie Lloyd.
The intent of the authors was to rebuild an atmosphere with music as faithfully as possible at the time of the Victorian music-hall-style performances.
Even the audience was dressed in period costumes so that the reconstruction be absolutely believable for the viewers at home. The audience
was also involved in the theater and sing on the show. The present was Leonard Sachs (who along with Peter Ridgeway had founded and directed the Player's Theatre, whose performances inspired the famous television series).
Sach was a brilliant presenter known for his dialectic and his hyperbolic introductions of the artists on stage. In the 30 years of repeat performances on The Good Old Day presented to the general public are more than 2000 artists.

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Finds Americans



The entire collection of American Museum of Vaudeville was donated Arizona University, Tucson.
The museum was originally based in Boston with a large collection of recordings, video, costumes and other items from the world of American Vaudeville since 1860.
is probably the largest collection of its kind and will complement that of the university.
Jerry Dickey, vice director of theater arts department says "It 's a long time that we are trying to educate students on the show amaericano 19vesimo of the century and now have access to much material."
According to Maurice Sevigny, Director of College of Fine Arts in American Vaudeville the influence of modern spectacle is extraordinary and there are still more or less obvious references in television as in music and performing arts. "The tradition of the variety will help students to go back in history and get new ideas"
With the acquisition of the American Vaudeville Museum univerisità the collection will trigger a series of initiatives of various types with a view to making the more popular the prestigious collection so that the past can still be useful for new artists and ensure that the pioneers of entertainment can be remembered

The American Vaudeville Museum was the work of Frank Cullen and Donald McNeely who have turned University to give a lasting place in their lavoro.Arizona University has assumed responsibility for ensuring the acquisition jealous Fathers of the collection to be properly and made available to students, other faculty, and the general public.

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Circus and Variety, a difficult distinction

The thin line between circus and variety is a limit that is difficult to be fixed by experts. If we omit the popular belief that circus chapiteau means, then these arts and theater in particular, these limbs of the body are mixed in a single universe.
probably behind the close relationship between the circus and the variety is the common characteristic of feeding of different kinds.
their equal reality show composite complicates the distinction and differentiation of genera that have, among other things, like live music Another common denominator. Not only that, if the dancing in variety shows in the circus and so is acrobatics, singing, and the illusion of many other generi.Ma if the circus with its wide open spaces has favored large gestures and in some ways the poetics of risk, in variety, with its more intimate spaces on average, a tendency to talk him into some strong emotion differently, making the house even finidicizioni, small pieces of surreal, the comic and playwright battutre pure.
brothers, cousins? who knows ... go for a walk together to show the history of these two large containers of attractions, lending or stealing ideas, numbers and sometimes even the public. But
dead today is the variety, the terminally ill old circus.
genres you "regenerate" and the past is a mischievous child who is hiding a little and holds out his hand a little overwhelming: from the ashes reborn is always something. Varieties released from the belly of the magazine that became the musical comedy that combined the numbers of Interest with a little drama, while the circus today loses tusks and hooves every day more and more just for contemplating the human animal. And so the union of these modern genres here today wandering the rebel godson of the theater, which brings with it still a lack of family: the uncomfortable rating in the arts. Alternative theater, physical theater, modern circus? Most experts define it for twenty years 'new circus' and swear they can not be underestimated: it is already becoming contemporary ...

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Three ballets "sadistic"