Alluring and unscrupulous the chanteuse with their looks and disturbing their legs still in sight, moving their generous body alongside presenters, singers, finidicitori comedians and accompanied by an 'orchestra under the stage became a symbol of the variety show and an antique show. Inspired by the famous artists to paint the posters that depict and split legs in the air in a crazy Can Can or while on the catwalk show off their hair, their voices of singers, their provocative sensuality vanguard of social custom.
Mary Fields was born in Rome in 1871 and after a difficult childhood and the usual apprenticeship in 1901 he could perform in vaudeville. In Spain he had learned the rumba and a provocative way to move his body. Maria De Angelis, this was his real name, became known as the inventor of the "move". Accompanied by snare his body twisted and produced in a sensual movement basin stamped by the bass drum. Little is known of his voice but the move has been written so much and it seems that Mary inspired by the famous Guido Da Verona Romance. But the "move" or the "coup de belly" in French, which made her famous for all the twenties and he claims the title of "maneater" became a cornerstone of the repertoire of chanteuse and the like 'invention of caricature by Nicola Maldacea was one of the crucial innovations that marked the transition from the smoky cafe-chantant the light variety ...
From his debut at the Teatro Amor Trastevere scritturara the fields began to be in the most prestigious venues and finally came to the Sala Umberto and diva began to decline contracts minor unleashing the wrath of those who could not afford to go to the theater in kid gloves marsina.Venne and then organized a punitive expedition and during an evening Mary was greeted by boos and throwing tomatoes by the Trastevere. Mary then decided to return to the fields Love Theatre where he was received with full honors. On that occasion, showing off pink tights un'audacissima that shocked not just the audience ...
In 1930 he retired and forgotten by all, as seems to be the destiny of the legend, he died in poverty in a Roman hospital in 1963.
The story goes that when Vittorio De Sica, the bishop already had to retreat from the scene and offered a bit part in the film Shoeshine.
The legend says that instead of his eightieth birthday he was asked to "move" and Mary did not need to repeat twice.
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